Bassano

jacopo
[yah-kaw-paw] /ˈyɑ kɔ pɔ/ (show ipa), (giacomo da ponte) 1510–92, italian painter.
his sons, francesco
[frahn-ches-kaw] /frɑnˈtʃɛs kɔ/ (show ipa), 1549–92, giambattista da ponte
[jahm-baht-tees-tah dah p-wn-te] /ˌdʒɑm bɑtˈtis tɑ dɑ ˈpɔn tɛ/ (show ipa) 1533–?; girolamo da ponte
[jee-raw-lah-maw] /dʒiˈrɔ lɑ mɔ/ (show ipa) 1566–1621; leandro
[le-ahn-draw] /lɛˈɑn drɔ/ (show ipa) 1557–1623, italian painters.
historical examples

we must, in the next place, enter upon a consideration of the school of b-ssano.
the history of painting in italy, vol. 3 (of 6) luigi antonio lanzi

augereau fought all day on the sixth at b-ssano, m-ssna at citadella.
the life of napoleon bonaparte william milligan sloane

on the 25th he left b-ssano by post and arrived in the evening at borgo di valsugano.
the memoires of casanova, complete jacques casanova de seingalt

on the death of his father he returned to b-ssano and settled there.
encyclopaedia britannica, 11th edition, volume 3, part 1, slice 3 various

b-ssano has a “concert,” which is interesting as a family piece.
the venetian school of painting evelyn march phillipps

the most trustworthy of these was maret, afterwards duke of b-ssano.
lectures on the french revolution john emerich edward dalberg-acton

from such fundamental principles proceeded some of his obnoxious criticisms on b-ssano, tiziano, and on raffaello himself.
the history of painting in italy, vol. 1 (of 6) luigi antonio lanzi

b-sseggio, librarian and president of the athenum of b-ssano.
blackwood’s edinburgh magazine, volume 65, no. 402, april, 1849 various

next day he reached b-ssano where the aged marshal once more expected the fatal rencounter.
the history of napoleon buonaparte john gibson lockhart

the battle at b-ssano was but a renewal of the sanguinary scene at roveredo.
harper’s new monthly magazine, v. 3, number 18 various