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sandro
[san-droh,, sahn-;; italian sahn-draw] /ˈsæn droʊ,, ˈsɑn-;; italian ˈsɑn drɔ/ (show ipa), (alessandro di mariano dei filipepi) 1444?–1510, italian painter.
contemporary examples

those are statistics that botticelli, one of the five featured panelists on tuesday, has likely memorized.
the heroin hearing that wasn’t abby haglage april 29, 2014

for those with a predilection for immaculately fine and delicate paintings by botticelli, his madonna of the book will satisfy.
the virgin mary lookbook william o’connor december 6, 2014

yet langdon seems surprised that a painting should not have “originated … in the mind of botticelli himself.”
fact-checking dan brown’s ‘inferno’: 10 mistakes, false statements, and oversimplifications noah charney may 19, 2013

sarah hajney is an adorable little version of a botticelli venus.
the stacks: the searing story of how murder stalked a tiny new york town e. jean carroll april 18, 2014

the daily pic: the collector’s madonna reflects well on him – and botticelli.
paul allen goes old master blake gopnik october 7, 2012

historical examples

in 1503 botticelli was one of the artists consulted as to the position which should be allotted to the great sculptor’s “david.”
botticelli henry bryan binns

then he paused to inquire of pierre: “did you know it was a botticelli?”
the three cities trilogy, complete emile zola

they must insist on airing their views about futurists, or the influence of botticelli or such truck.
a top-floor idyl george van schaick

could not her old favourite botticelli have supplied him with a lovelier type?
audrey craven may sinclair

botticelli was vehement and impetuous, full of p-ssion and poetry, seeking to express movement.
the old masters and their pictures sarah tytler

noun
sandro (ˈsandro), original name alessandro di mariano filipepi. 1444–1510, italian (florentine) painter, ill-strator, and engraver, noted for the graceful outlines and delicate details of his mythological and religious paintings