Contextualise
[kuh n-teks-choo-uh-lahyz] /kənˈtɛks tʃu əˌlaɪz/
verb (used with object), contextualized, contextualizing.
1.
to put (a linguistic element, an action, etc.) in a , especially one that is characteristic or appropriate, as for purposes of study.
/kənˈtɛkstjʊəˌlaɪz/
verb
1.
(transitive) to state the social, grammatical, or other context of; put into context
v.
chiefly British English spelling of contextualize (see contextual); for suffix, see -ize. Related: Contextualised; contextualising.
Read Also:
- Contextualised
[kuh n-teks-choo-uh-lahyz] /kənˈtɛks tʃu əˌlaɪz/ verb (used with object), contextualized, contextualizing. 1. to put (a linguistic element, an action, etc.) in a , especially one that is characteristic or appropriate, as for purposes of study. /kənˈtɛkstjʊəˌlaɪz/ verb 1. (transitive) to state the social, grammatical, or other context of; put into context
- Contextualises
[kuh n-teks-choo-uh-lahyz] /kənˈtɛks tʃu əˌlaɪz/ verb (used with object), contextualized, contextualizing. 1. to put (a linguistic element, an action, etc.) in a , especially one that is characteristic or appropriate, as for purposes of study. /kənˈtɛkstjʊəˌlaɪz/ verb 1. (transitive) to state the social, grammatical, or other context of; put into context
- Contextualising
[kuh n-teks-choo-uh-lahyz] /kənˈtɛks tʃu əˌlaɪz/ verb (used with object), contextualized, contextualizing. 1. to put (a linguistic element, an action, etc.) in a , especially one that is characteristic or appropriate, as for purposes of study. /kənˈtɛkstjʊəˌlaɪz/ verb 1. (transitive) to state the social, grammatical, or other context of; put into context
- Contextualism
[kuh n-teks-choo-uh-liz-uh m] /kənˈtɛks tʃu əˌlɪz əm/ noun 1. (in motion-picture criticism) the theory that all incidents in a film must be viewed in the social, political, and cultural context with which the film concerns itself and in which it was made. 2. Architecture. the aesthetic position that a building or the like should be […]
- Contextualist
[kuh n-teks-choo-uh-liz-uh m] /kənˈtɛks tʃu əˌlɪz əm/ noun 1. (in motion-picture criticism) the theory that all incidents in a film must be viewed in the social, political, and cultural context with which the film concerns itself and in which it was made. 2. Architecture. the aesthetic position that a building or the like should be […]