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a non existent genre of music
it is physically and musically impossible to mix emo and metal
no mater what you think, this does not exist.

emotive hardcore (yes it falls within the realms of punk-rock… that is to say d.i.y. punk rock) cannot be mixed with metal because of the totally different ethos that surrounds the two.
boy 1 in bad metalcore/grind t-shirt – “that atreyu are proper emo “metal””

boy 2 in nice braid /texas is the reason /hot water music /quicksand /dag nasty t-shirt – “oh, f-ck off would you? thats just bad metal”
it’s probably not metal or emo.
atreyu fan: atreyu is the best emo “metal” band!
someone who knows anything about emo or metal: uhh…
there is no term in existance. the two genres of music are mutually exclusive of each other. metal revels in s-x, drugs, violence and death. emo on the other had cringes and cries in a corner at such ideas.
it’s either metal or emo, not both.

you are thinking of posthardcore, or just plain emo, you f-cking idiot!
dude: f-ck i love slayer!
emo: umm…why do they have to sing about such evil things and like it? why can’t emo “metal”have some kick -ss music like this but without the evil and violence? it makes me want to cry…(whines)
dude: because, p-ssy, there is no such thing! no one in their right mind would even think about that bullsh-t! get the f-ck out of my mcdonalds…
(kicks the sh-t out of the emo loser)
as we all know, this is just a contradictio interminis meaning that the substantif itself excludes the adjective
because metal is supposed to have texts about the end of the world, the devil, death and decay, and be happy about all off this.
emo just cry by even thinking about this stuff, and are never happy.
birth is always painful, decaying in the womb trapped within this body
a bleeding human tomb gutted b-tch lies dead emptied of the child
chewing on the cords its life line to this world afterbirth is flowing
the stench is overwhelming
my body, growing stronger, my pain turns to torture
severing its bloodline
a butchered infant carc-ss
meat from the unborn, the freshest kills
chopped up children bathing in blood
contoured and festering i rot in disgust
re-generation of my body
mother ripped apart
smashing in her face
my knife cutting holes, f-cking her remains
esophogus carved out
crushing cartilage
bile oozing from punctures in your liver
riping meat within
chewing in intestine
bladder spurting urine, sight of defecation now grow infection
the child ripped to shreads
drinking its excretions
zombification -j-c-l-t–n over mutilation
on the mothers body hacked into pieces
the sludges from my c-ck gives her life once again
sewing the remains of the child deep within her
reborn through evil
my torture known throughout h-ll
heed to his calling, the demons await my next kill
carnage is my fetish
body cavities scr-ped of guts
brains seeping from cracks as my axe continues to hack

just imagine this for an emo crowd … emo “metal” should be related to this if it would exist …
emo “metal” is most commonly referred to as screamo or post-hardcore.

it is a blend of guitar “riffs” usually written in a minor key to give a strong emotional feeling, heavy screaming vocals, and beautiful (sometimes harmonized) melodic vocal patterns, all intricately orchestrated to sound beautifully dark, usually melodic, and always catchy. emo-metal is what happens when metal bands get tired of being poor and want to make money. it is essentially metal’s attempt at entering the mainstream.(and uranium hardly ever plays anything remotely close to emo-metal.)bands, such as underoath or beloved(r.i.p), have perfected the style with others closely following their lead.
examples of emo “metal” include

underoath, beloved, alexisonfire, blindside(somewhat), chevelle(somewhat), dead poetic, emery, every time i die (the new stuff), from autumn to ashes, haste the day(the new stuff), poison the well(one of the pioneers), protest the hero, the refused(definitely a pioneer), saosin, thrice(the older stuff).

if you’re interested…

top emo-metal(screamo)(post-hardcore)

alb-m band

define the great line ————— underoath
failure on ————————– beloved
the weeks end ———————– emery
new medicines ———————– dead poetic
tear from the red——————– poison the well
saosin——————————- saosin
artist in the ambulance————– thrice

so there… it does exist. and f— you!!! if you say otherwise.
a kind of heavy metal music that is much heavier than anything up to date. typically it goes on at tempos not slower than 210 – 220 bpm with ultra distorted guitars tuned at least 3 tones downwards (6th string at g#) pounding complicated sixteenth note riffs on the first four frets of the two last strings, the b-ssist usually plays all in 32nd notes in double-slapping fashion and is usually tuned even lower (6th string as much as the e 1 octave downwards) doubled by a synth wich plays in unison 2 octaves below, the b-ssists also tend to use very large speakers (18 to 45 inches) driven by two or more tube amps plugged in series (the output of one in the input of the other for added power) those said amps are no less than 2500 watts in power. the drums are simply huge, they span at least four b-ss drums (two doubles), in the case of more b-ss drums it is not uncommon that the drummer is -ssisted by additionnal drummers usually one by pair of double b-ss drum. the additional drummers p-ss the entire gig lying on the floor with a pedal in each feet and hand. sometimes, if the set asks for it, these additional drummers are -ssigned to operate an additional snare with their mouth, also this serves the purpose of making them concentrate more on their set since their mouth is filled with the snare drum stick and they cannot talk or complain. the same additionnal drummer principle goes for snares and toms. the main drummer is to operate no more than 24 (two times the number of apostles) toms and snares. every additional drummer -ssigned to toms and snares is hung above their set and beats it with sticks attached to both his hands feet hips mouths and ears (to preserve from talking whining about their conditions and hearing damage). everybody in the band sings, this task is hardwired in the members by having wireless microphnes implanted in them. those microphnes are emitting constantly so even if the member does not want to sing he still produces at least nearby organ sounds that add to the delicate texture of the music.
celine dion and cthulu adorning someday, flatt scrubb and shine, kick that b-st-rd in the schnolles until he vomits, the piping plan, christine’s world, semestrial implants, wuthering heights, lucid landrover special, cultivating doorkn-bs suspiciously, v-g-n- haywire and hairy posthumous penny, pepsi in a paper gl-ss, anxious b-tton fly baseball, etc etc these are all great emo “metal” bands, there are a lot greater unknown ones that dont get as much press coverage but are promised, if not to be as big as any of the above, at least to acquire an underground legendary status for decades to come.

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