Epee


[ey-pey, ep-ey] /eɪˈpeɪ, ˈɛp eɪ/

noun, Fencing.
1.
a rapier with a three-sided blade and a guard over the tip.
2.
the art or sport of fencing with an épée, points being made by touching any part of the opponent’s body with the tip of the weapon.
[ey-pey] /eɪˈpeɪ/
noun
1.
Charles Michel, Abbé de l’, 1712–89, French priest and teacher of the deaf: pioneer in the development of sign language.
/ˈɛpeɪ; French epe/
noun
1.
a sword similar to the foil but with a larger guard and a heavier blade of triangular cross section
n.

1889, from French épée, literally “sword” from Old French espe (9c., spede) “spear, lance,” from Latin spatha (see epaulet).

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    [ey-pey-ist, ep-ey-] /eɪˈpeɪ ɪst, ˈɛp eɪ-/ noun 1. a person who fences with an épée. /ˈɛpeɪɪst/ noun 1. (fencing) a person who uses or specializes in using an épée

  • Epeiric

    [ih-pahy-rik] /ɪˈpaɪ rɪk/ adjective 1. extending inland from a continental margin: an epeiric sea. /ɪˈpaɪrɪk/ adjective 1. (geology) in, of, or relating to a continent: an epeiric sea adj. in reference to seas covering continental shelves, 1917, from Greek epeiros “mainland” + -ic.

  • Epeirogeny

    [ep-ahy-roj-uh-nee] /ˌɛp aɪˈrɒdʒ ə ni/ noun, Geology. 1. vertical or tilting movement of the earth’s crust, generally affecting broad areas of a continent. /ˌɛpaɪˈrɒdʒɪnɪ/ noun 1. the formation and submergence of continents by broad relatively slow displacements of the earth’s crust Also called epirogeny epeirogeny (ěp’ī-rŏj’ə-nē) Uplift or depression of the Earth’s crust, affecting large […]

  • Epeisodia

    [ep-ahy-soh-dee-on] /ˌɛp aɪˈsoʊ diˌɒn/ noun, plural epeisodia [ep-ahy-soh-dee-uh] /ˌɛp aɪˈsoʊ di ə/ (Show IPA) 1. (in ancient Greek drama) an interlude or section alternating with the stasimon, especially in tragedy, varying in number from three to six and containing the main action of the drama.

  • Epeisodion

    [ep-ahy-soh-dee-on] /ˌɛp aɪˈsoʊ diˌɒn/ noun, plural epeisodia [ep-ahy-soh-dee-uh] /ˌɛp aɪˈsoʊ di ə/ (Show IPA) 1. (in ancient Greek drama) an interlude or section alternating with the stasimon, especially in tragedy, varying in number from three to six and containing the main action of the drama.


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