Pink Film
low-budget j-panese p-rnography which often features an “artsy” feel. many young j-panese filmmakers get their start by directing pink films, which is not viewed as derogatorily in j-pan as in the us, often leading these directors to mainstream success outside of the p-rnography business.
several of these films such as “tandem”, about a train-groper, have received acclaim on the international art house circuit.
toshiki sato, hisayasu sato, and takahisa zeze have been dubbed “the kings of pink” in j-pan due to the acclaim their pink films have gotten them, both domestically and abroad.
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