[nee-oh-dah-dah] /ˌni oʊˈdɑ dɑ/
a minor art movement chiefly of the 1960s reviving some of the objectives of dada but placing emphasis on the importance of the work of art produced rather than on the concept generating the work.
[nee-oh-dahr-wi-niz-uh m] /ˌni oʊˈdɑr wɪˌnɪz əm/ noun, Biology. 1. the theory of evolution as expounded by later students of Charles Darwin, especially Weismann, holding that natural selection accounts for evolution and denying the inheritance of acquired characters. 2. any modern theory of evolution holding that species evolve by natural selection acting on genetic variation. /ˌniːəʊˈdɑːwɪnˌɪzəm/ […]
[nee-oh-dim-ee-uh m] /ˌni oʊˈdɪm i əm/ noun, Chemistry. 1. a rare-earth, metallic, trivalent element occurring with cerium and other rare-earth metals, and having rose-colored to violet-colored salts. Symbol: Nd; atomic weight: 144.24; atomic number: 60; specific gravity: 6.9 at 20°C. /ˌniːəʊˈdɪmɪəm/ noun 1. a toxic silvery-white metallic element of the lanthanide series, occurring principally in […]
[nee-oh-en-sef-uh-lon, -luh n] /ˌni oʊ ɛnˈsɛf əˌlɒn, -lən/ noun, plural neoencephalons, neoencephala [nee-oh-en-sef-uh-luh] /ˌni oʊ ɛnˈsɛf ə lə/ (Show IPA) 1. .
[nee-oh-ik-spresh-uh-niz-uh m] /ˌni oʊ ɪkˈsprɛʃ əˌnɪz əm/ noun 1. an art movement, chiefly in painting, that developed in Germany, Italy, and the U.S. in the late 1970s, emphasized large heavy forms and thick impasto, and typically dealt with historical narrative in terms of symbolism, allegory, and myth.