Hiroshige
ando
[ahn-daw] /ˈɑnˈdɔ/ (show ipa), (“tokube”) 1797–1858, j-panese painter.
historical examples
the prints of hiroshige and hokusai generally undergo no change.
chats on j-panese prints arthur davison ficke
but it is, i like to think, what hiroshige would most enjoy.
the idyl of twin fires walter prichard eaton
many of hiroshige’s prints derive a considerable portion of their beauty from the subtlety of these gradations.
chats on j-panese prints arthur davison ficke
the composition reminds one of a hiroshige study of midnight.
the art of the moving picture vachel lindsay
prices for hiroshige prints vary so with the quality of the impression that generalizations are impossible.
chats on j-panese prints arthur davison ficke
the blue mystery that veils the world from dusk to dawn is in the colour-prints of hiroshige.
the life of james mcneill whistler elizabeth robins pennell
hiroshige was born in 1796, just as the great period of figure-designing was drawing to its close.
chats on j-panese prints arthur davison ficke
few painters have understood the art of selection, and here hiroshige and the other j-panese were of use.
the life of james mcneill whistler elizabeth robins pennell
one of the collector’s treasures is a striking memorial portrait by kunisada that was issued shortly after hiroshige’s death.
chats on j-panese prints arthur davison ficke
hiroshige takes rank by unanimous consent as the foremost landscape artist produced by the ukioye school.
chats on j-panese prints arthur davison ficke
noun
ando (ˈɑːndəʊ). 1797–1858, j-panese artist, esp of colour wood-block prints
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